Paul Guiragossian’s famous and precise portray “Nay” can be featured at Christie’s “Middle Eastern Modern & Contemporary Art” auction, an excellent way to take location on March 23, 2019, in Dubai. The painting could be provided in lot 12, which’s one of the pinnacle plenty on the auction, with a pre-public sale estimate of $ eighty 000 to $ 120,000.
A lovely example of Paul Guiragossian’s later works, the actual paintings are one of the maximum summaries of the artist ever sold at public sale and visible till nowadays. It is stunning in its size, the pictures famous for the artist’s unmatched mastery of coloration and line with bright primary hues of reds, yellows, and blues. Its rich figurative references are complemented with its compact gestural utility of bubbling colorings, showcasing the artist’s diffused appreciation for abstraction, appealing to every facet of the human situation,” states the public sale residence.
“Nay” is an oil portray signed ‘PAUL.G.’ and signed ‘PAUL.G.’The painting became achieved in 1986, and it was obtained by way of the prevailing owner from a personal collection in Lebanon. The picture belongs to The Mokbel Art Collection.
Commenting on the real info of the portray, Christie analyzes, “The patches of thick impasto encompass a sculptural excellent, with an assessment in line and form that allows the figures to come out of the canvas, showcasing a detail of playfulness and summer season-like fine. There is a woman figure on the left playing the nay instrument, which is regularly regular artwork depicting musicians found in a festive scene, which could be both delivery or engagement in this example.
“Since the late Seventies onward, the artist liberated himself from generating the discernible human determine and as a substitute focused on thick patches of brush strokes, generating dense layering of color in vertical figures along with the existing work. It changed into also in the course of this era that the artist elevated to contain colorful and luminous colors intrinsic to the Mediterranean land, sea, and solar. This deep appreciation for nature’s beauty captivated through the colorful, saturated shade palette is also reminiscent of the Fauve artists.”
The public sale house further provides to the context of this artwork and mentions, “Guiragossian painted this painting within the mid-1980s, at a time while his use of an in Lebanon become present to process the remaining years of a raging civil struggle. Bearing this in mind, the sentiment of a constructive glow evoked from the paintings is met with a kingdom of utter mourning, of the kingdom of the solitude felt in the community because of the battle.”